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This program is a one-hour special
devoted to the music of Marc Ribot
and includes a brief conversation with one of the most adventurous guitarists
of our time. Photo courtesy of Cyril Moshkow
This stream is fast (128k) and in
the Shoutcast MP3 streaming format.
To listen you will need an MP3 player (e.g. WinAmp, QuickTime,
RealPlayer) and a high-speed Internet link (e.g. DSL, cable modem, or at
work). Webcast archive courtesy of Tom
The Fsb. PROGRAM LENGTH : 65 minutes PLAYLIST “Empty”, Saints Marc Ribot, guitar { interview } “I don’t know
why I have the impression that there’s something worth finding in the direction
of down…” “Etude 13”, John Zorn’s Book Of Heads Marc Ribot, guitar { break } You’re listening to WZBC 90.3FM “Prowler”, Soundtracks II (for a 2002 film by Joe Brewster entitled The Killing Zone) Marc Ribot, sequencer “Aelita Suite II”, Shoe String Symphonettes (for a 1928 film by Yakov Protazanov entitled Aelita Queen of
Mars) Marc Ribot, guitar; Paul Clarvis,
drums and percussion; Dave Meric, keyboards; Phil Boyden, violin; Helen
Thomas, cello; Mike Kearsey, trombone { interview } “I always wanted to put together a
history of music that included Albert Ayler and Thelonius Monk and Ornette Coleman’s
Prime Time Band, which could also be included in the history of rock…” “Map of Bubbles”, The Lounge Lizards Live In John Lurie, alto; Evan Lurie, piano;
Erik Sanko, bass; Dougie Bowne, drums; Curtis Fowlkes, trombone; Roy
Nathanson, tenor; Marc Ribot, guitar “Jockey Full of Bourbon”, Tom Waits’ Rain Dogs (used in the Jim Jarmusch film Down By Law) Tom Waits, guitar, vocals; Stephen
Arviso Taylor Hodges, drums; Larry Taylor, double bass; Michael Blair,
percussion, conga; Marc Ribot, guitar; Ralph Carney, bass sax { break } Marc Ribot moved to “Hang on St Christopher”, Tom Waits’ Frank’s Wild Years Tom Waits, vocals; Greg Cohen, alto
horn; Ralph Carney, tenor sax; Marc Ribot, guitar; William Schimmel, leslie
bass pedals; Michael Blair, drums “Looks Like Hell”, Shoe String Symphonettes (for a 1991 film by Karen Bellone and Lisa Rinzler entitled
Death By Unnatural Causes) Marc Ribot, guitar and sampler; Greg
Cohen, bass; Jill Jaffe, violin and viola { interview } “I had been looking for a guitar
about seven years ago to play solo on…” “These Foolish Things”, Don’t Blame Me Marc Ribot, guitar { interview } “What happened with the Saints project
was that I had done two solos CDs previously.
One was Book Of Heads, which is John Zorn’s
early pieces for solo guitar.
And the other was a CD called Don’t Blame Me on DIW that was
solo guitar versions of standards, kind of warped versions of standards…” “Holy Holy Holy”, Saints Marc Ribot, guitar “Saints” (for a film in production on the life and legacy of Albert
Ayler) Marc Ribot, guitar { break } In the early 90s Marc Ribot started
a band called Shrek that explored the punk and No Wave components of his
music…. “Spigot”, Shrek Marc Ribot, guitars; Chris Wood, guitar;
David Shea, sampler; Sebastian Steinberg, bass; Jim Pugliese, drums { interview } “I guess when some people think of
rock they think of these polished, perfectly-produced records. When I think of rock, I think of like
sweaty rooms with people slamming themselves around in a kind of – on a good
night – a secular version of some kind of religious experience. Or maybe not so secular after all.” “Yo! I Killed Your God”, Yo! I Killed Your God Marc Ribot, vocals, guitars; Chris
Wood, guitar; Sebastian Steinberg, bass; Dougie Bowne, drums “A Mind Is A Terrible Thing To Waste”, Rootless Cosmopolitans Marc Ribot, guitar; Don Byron, bass
clarinet, turkey calls; Anthony Coleman, piano; Brad Jones, bass; Richie
Schwarz, drums { break } In the mid 90s Marc Ribot hooked up
with percussionist Roberto Rodriguez of Miami Sound Machine to for Los
Cubanos Postizos whose music centered on the work of Cuban musician Arsenio
Rodriguez. “Los Teenagers Bailan Changui”, Marc Ribot y Los Cubanos Postizos Marc Ribot, guitar; Anthony Coleman,
organ; Brad Jones, bass; EJ Rodriguez, percussion; Robert Rodriguez, drums { break } At the present time Marc Ribot has
been working with John Zorn in various configurations, most notably Electric “Bataille”, Scelsi Morning Marc Ribot, guitar; Christine Bard,
Roberto Rodriguez, percussion, drums; Ned Rothenberg, bass clarinet; Jill
Jaffe, violin; Chris Wood, bass; Anthony Coleman, pump organ “Hodaah”, John Zorn’s Masada Guitars Marc Ribot, guitar ----------------------------------------------------------- © Free Association
2003 |
